We give you a huge selection of articulations ranging from classics such as our ever popular flautando, but with mutes added, and sections playing poly-divisi, so that even with a band of this size, every player can be heard. To do this we made the bold decision to exclude violas from the orchestra, replacing them with rich celli and basses - 12 Celli and & 6 Basses sat in the middle of the room, with two massively enhanced violin sections of 20 and 18 players sat in antiphon (opposite sides of the room). We knew we wanted the strings to have a 'frozen' sheen to them, and to achieve this we needed to scoop some of the lower mids out of the frequency map. All played in triplets, 12ths, 8th and 16ths, tempo-synced to your DAWĬreating something extraordinary often involves taking a leap into the unknown.198 original sounds to create more content from.Organic sounds created from the orchestral material.138 Stephenson Pads housed in our eDNA interface.All housed within our ‘Evo Grid’ engine, for almost limitless randomisation.32 hand-crafted slowly evolving drones, with varying loop points.Recorded digitally at 96k via 2" Studer tape. Neve Monserrat preamps into a Neve 88R desk.Recorded using priceless valve and ribbon mics.Multi-mic control with Close, Tree, Outrigger and Ambients.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |